Sony C-100 Hi-Res Studio Condenser Microphone
by SonyImpressively clever in its design, the Sony C-100 condenser microphone uses two capsules in a two-way configuration to effectively capture immense bandwidth from 20 Hz to 50 kHz with transparent, uncolored accuracy.
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- Sony C-100 High-Resolution 2-Way Condenser Microphone
- Shockmount
- Mic Stand Adapter (3/8 to 5/8")
- Windscreen
- Carrying Case
Impressively clever in its design, the Sony C-100 condenser microphone uses two capsules in a two-way configuration to effectively capture immense bandwidth from 20 Hz to 50 kHz with transparent, uncolored accuracy. The 1" true condenser capsule handles frequencies from 20 Hz to 25 kHz while the secondary 0.7" electret condenser capsule takes the 25 kHz to 50 kHz range, making the C-100 compliant Hi-Res Audio standards and a stellar tool for detailed recording of vocals and full-spectrum instrument sounds.
The C-100 microphone features three selectable polar patterns— cardioid, figure-8, and omnidirectional—to allow great versatility in the studio. Onboard switches are provided for a low-cut filter (helps control rumble and proximity effect) and a -10 dB pad (raises the maximum SPL to accommodate louder signals without distorting). The C-100 borrows the noise elimination structure used in the legendary C-800G to prevent acoustic vibration and yield low noise. Additional isolation from vibration is provided by the included shockmount. The mic also comes with a windscreen, mic stand adapter, and carrying case.
- Dual diaphragms (1" condenser and 0.7" electret condenser) handle different frequency ranges
- 20 Hz to 50 kHz frequency response
- Cardioid, omnidirectional, and figure-8 polar patterns
- Switchable low-cut filter and pad
- XLR 3-pin output connector
- 48V phantom powered
- Includes shockmount, 3/8 to 5/8" stand adapter, foam windscreen, and carrying case
| Key Specs | |
| Microphone Type | Large Diaphragm |
| Polar Pattern | Cardioid / Figure-8 / Omnidirectional |
| Element Type | Condenser |
| Controls | Low Cut/HPF, Pad, Polar Pattern |
| Frequency Response | 20 Hz to 50 kHz |
| Maximum SPL | 132 dB (Cardioid) |
| 138 dB (Omni) | |
| 136 dB (Figure-8) | |
| Analog Output | 1x XLR 3-Pin Male |
| Power Sources | Phantom Power |
| Microphone | |
| Microphone Type | Large Diaphragm |
| Polar Pattern | Cardioid / Figure-8 / Omnidirectional |
| Element Type | Condenser |
| Sound Field | Mono |
| Diaphragm | 1" / 25 mm |
| 0.7" / 17 mm | |
| Orientation | Side Address |
| Controls | Low Cut/HPF, Pad, Polar Pattern |
| Pad | -10 dB |
| Circuitry | Solid-State |
| Performance | |
| Frequency Response | 20 Hz to 50 kHz |
| Maximum SPL | 132 dB (Cardioid) |
| 138 dB (Omni) | |
| 136 dB (Figure-8) | |
| Sensitivity | -31 dBV/Pa (Cardioid) |
| -37 dBV/Pa (Omnidirectional) | |
| -35 dBV/Pa (Figure-8) | |
| Dynamic Range | 113 dB (Cardioid) |
| 114 dB (Omnidirectional) | |
| 114 dB (Figure-8) | |
| Equivalent Noise Level | 19 dB SPL (Cardioid, A-Weighted) |
| 24 dB SPL (Omnidirectional, A-Weighted) | |
| 22 dB SPL (Figure-8, A-Weighted) | |
| Connectivity | |
| Analog Output Connector | 1x XLR 3-Pin Male |
| Power | |
| Power Sources | Phantom Power |
| Operating Voltage | 44 to 52 V (Phantom Power) |
| Physical | |
| Color | Black |
| Mounting Thread Size | 5/8"-27 Female (3/8"-16 Female with Included Adapter) |
| Dimensions | ø: 1.57 x L: 6.89" / ø: 3.99 x L: 17.5 cm |
| Weight | 10.2 oz / 289 g |
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